Document Type

Annual Report

Publication Date

11-29-2012

Abstract

During the latter part of the Classic Period, Ludwig van Beethoven wrote his Piano Sonata in G Major, Op. 14, No. 2, I. It appears as though the composer is merely following the guidelines of a traditional sonata-form movement, creating a remarkable “illusion of simplicity” appropriate for the time. Upon further investigation, however, Beethoven has created a highly complex plan of musical action through his use of key schemes that allows for smooth transitions from theme to theme and from section to section throughout the movement.

Comments

Winner of the College of the Holy Cross 2014 Beethoven Prize, awarded to a fourth-year student for the best historical or analytical essay on music or an original composition.

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