Title
Beethoven's Thematic Processes in the Piano Sonata in G Major, Op. 14: "An Illusion of Simplicity"
Document Type
Article
Publication Date
11-29-2012
Abstract
During the latter part of the Classic Period, Ludwig van Beethoven wrote his Piano Sonata in G Major, Op. 14, No. 2, I. It appears as though the composer is merely following the guidelines of a traditional sonata-form movement, creating a remarkable “illusion of simplicity” appropriate for the time. Upon further investigation, however, Beethoven has created a highly complex plan of musical action through his use of key schemes that allows for smooth transitions from theme to theme and from section to section throughout the movement.
Recommended Citation
Valliere, Kara F. '14, "Beethoven's Thematic Processes in the Piano Sonata in G Major, Op. 14: "An Illusion of Simplicity"" (2012). Music Department Student Scholarship. 1.
https://crossworks.holycross.edu/music_student_scholarship/1
Comments
Winner of the College of the Holy Cross 2014 Beethoven Prize, awarded to a fourth-year student for the best historical or analytical essay on music or an original composition.