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Présence Francophone: Revue internationale de langue et de littérature

Abstract

This study analyzes the writing of crises in African novels and makes following observation: the novels listed do not represent crises and ruptures to obey a need for mimicry and authenticity in the representation through the art of real violence. The main objective of these novels by staging African crises and violence is rather to reflect a tension: that of a charged present situation, a real historical or imaginary crisis, and the equally important situation of a genesis, a new beginning, the terms of which sometimes remain to be defined.

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