Esthétique écologique et hybridité dans les génériques de début des feuilletons télévisés camerounais

Authors

-- Ngetcham, Université de Dschang (Cameroun)
Leslie Goufo Zemmo, Université de Liège (Belgique)

Abstract

The first television pictures appeared in Cameroon thirty years ago, proposing series for public consumption. These imported products later on suffered a singular competition from local artists, whose works were mostly broadcast on private channels, besides what was proposed by the single public media of Cameroon Television (CW). In this article, we intend to carry an ecocritical analysis on the aesthetic aspects of ten credit titles; we also bring out the formal process of producing movies; this is how we can identify hybridity through costumes, languages and scenery because they go beyond the local environment which they reveal to present concerns which one can witness elsewhere.

Recommended Citation

Ngetcham, -- and Goufo Zemmo, Leslie (2018) "Esthétique écologique et hybridité dans les génériques de début des feuilletons télévisés camerounais," Présence Francophone: Revue internationale de langue et de littérature: Vol. 90: No. 1, Article 9.
Available at: https://crossworks.holycross.edu/pf/vol90/iss1/9