Présence Francophone: Revue internationale de langue et de littérature
Abstract
The Dakar Biennial, Dak’Art, plays a key role and is the only event of this kind on the african continent. Held in a country where there is an abundant artistic production, it prolongs Senghor’s objectives (underlining the importance of the collective, intertwining art forms, investing mystical positions). Made of an “In” and “Off”, its structure dismantles divisions between popular/theoretical, accessible/obscure, autodidact/trained and promotes a dialog between people and approaches. Many Senegalese artists proceed in a similar fashion, assembling concepts (orality, signs, cultural references, categories), drawing from the world at large. Inscribing memory, they invite us to interrogate our future beyond delimitations.
Recommended Citation
Tissières, Hélène
(2008)
"Biennale et effervescence artistique au Sénégal : conjonctions et passerelles,"
Présence Francophone: Revue internationale de langue et de littérature: Vol. 70:
No.
1, Article 6.
Available at:
https://crossworks.holycross.edu/pf/vol70/iss1/6
Included in
African History Commons, African Languages and Societies Commons, African Studies Commons, Contemporary Art Commons, French and Francophone Language and Literature Commons, Museum Studies Commons