Présence Francophone: Revue internationale de langue et de littérature
Abstract
Cameroonian cinema is a product of a system that France and the local colonialists forged to maintain the imperial cultural hold. In order to cover its repressive nature, the local regime had to build up a cinematographic discourse that would portray its repressive nature and silence a rebellious population.
Recommended Citation
Doho, Gilbert
(2001)
"État illégitime et discourse cinématographique au Cameroun,"
Présence Francophone: Revue internationale de langue et de littérature: Vol. 57:
No.
1, Article 5.
Available at:
https://crossworks.holycross.edu/pf/vol57/iss1/5
Included in
Film and Media Studies Commons, French and Francophone Literature Commons, French Linguistics Commons, Other French and Francophone Language and Literature Commons