Présence Francophone: Revue internationale de langue et de littérature
Abstract
Throughout his career, Djibril Diop Mambety infrequently associated with organizations set up by African film makers. He lived a life of dreams and invariably attempted to turn his dreams into film : the dream of a city (Dakar) at the crossroads of the history of a country (Contras'City, 1968), the dream of freedom (Badou Boy, 1970), the dream of belonging to a country free from the determinations of hegemonic discourses (Touki Bouki, 1973). In Hyenas (1992), Djibril Diop Mambety puts globalization on trial.
Recommended Citation
Niang, Sada
(2001)
"Hyènes ou l'étau de la mondialisation,"
Présence Francophone: Revue internationale de langue et de littérature: Vol. 57:
No.
1, Article 4.
Available at:
https://crossworks.holycross.edu/pf/vol57/iss1/4
Included in
Film and Media Studies Commons, French and Francophone Literature Commons, French Linguistics Commons, Other French and Francophone Language and Literature Commons