•  
  •  
 

Présence Francophone: Revue internationale de langue et de littérature

Abstract

In Mudimbe's novels, art depicts the author and his writings, through a play of substitution and decentering. The author uses the artistic medium to escape constraints of discursive, religious, political or sexual order and as a place of transfiguration of the characters' desires. The aim of this article is to show that references to painting, literature, cinema and music reflect the refusal of the I to speak about oneself, except indirectly. The author chooses a strategy of decentering by combining the language of words and of images, and suggests, behind the mask of narrative representation, a taste for provocation, social and institutional heresy, carnal love (homosexual and heterosexual). Based on the four novels of the author, we will show that the artistic quote is part of a dual perspective: social and political, on the one hand, sensual and intimate, on the other.

Share

COinS
 
 

To view the content in your browser, please download Adobe Reader or, alternately,
you may Download the file to your hard drive.

NOTE: The latest versions of Adobe Reader do not support viewing PDF files within Firefox on Mac OS and if you are using a modern (Intel) Mac, there is no official plugin for viewing PDF files within the browser window.