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DOI

10.32436/2475-6423.1211

Abstract

In religiously diverse social contexts, liturgical practices anchored in one reli-

gious tradition often gather diverse communities. In such contexts, it is wise to

assume that people who are not Catholic may be present at any Roman Cath-

olic Mass. This article explores the lived liturgical experience of non-Catholic

Christians who participate routinely in the Roman Catholic Mass through a

mixed-methods study of a religiously diverse treble vocal ensemble that sings

weekly at Mass on a Catholic university campus. It describes how Catholic and

non-Catholic Christian singers interpret practices surrounding the eucharistic

meal in contrasting ways: non-Catholic Christians experience the invitation to

receive a blessing instead of communion as a moment of exclusion, whereas

Catholic singers experience it as an act of welcome. Building on Catherine Bell’s

assertion that “usually, multiple [ritual] systems overlap, sometimes in tension

with each other, sometimes in complementary harmony,” this article examines

how singers negotiate the overlaps between the choral singing, Roman Cath-

olic, and college campus ritual systems. Drawing on Benjamin Durheim and

David Turnbloom’s hermeneutic of tactical ecumenism, it outlines how singers

employ the tactics of ignoring, transcending, and circumventing dissonance. Di-

alogue is proposed as an additional tactic for fostering belonging amid ongoing

dissonance and harmony.

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