constant and paradoxical paradigm, violence is at the core of the Malagasy writer, Jean-Luc Raharimanana’s work. What are its representations, its modulations and functions in his shortstories, his novel, Nour, 1947, and his narrative, L’arbre anthropophage ? His poetic elaboration of violence puts his production at the juncture of postmodern and committed literatures and gives it a singular value in the world of postcolonial literature.
"Raharimanana : « Le viol des douceurs »,"
Présence Francophone: Revue internationale de langue et de littérature: Vol. 70
, Article 9.
Available at: https://crossworks.holycross.edu/pf/vol70/iss1/9