This critical analysis focuses on Rachid Boudjedra’s trilogy that deals with Algerian fundamentalism. Even though Boudjedra’s famous labyrinthine and vertiginous technique was at first based on the literary, on a pleasure of writing that would in turn trigger political thought – at least until the publication of the political pamphlet FIS de la haine –, his more recent technique reflects an urgency and a writing focused on political thought, both of which give birth to a literary process. Despite the author’s well-known reticence regarding conventional happy endings, he annihilates once and for all terrorism and fundamentalism, and embraces an optimistically open-ended future for Algeria.
"De l’écriture de l’urgence à l’écriture du renouveau,"
Présence Francophone: Revue internationale de langue et de littérature: Vol. 68
, Article 4.
Available at: https://crossworks.holycross.edu/pf/vol68/iss1/4
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