While the social and political sciences account for a relatively large number of books on the 1994 Rwandan genocide, there are still very few literary texts on the subject. Taking Hannah Arendt’s concept of beginning as its point of departure, this article begins with an analysis of the “act of writing” before going on to examine the dynamic interplay between philosophy and literature via Boris Boubacar Diop’s novel Murambi, le livre des ossements (2000).
"Hannah Arendt, Boris Diop et le Rwanda : correspondances et commencements,"
Présence Francophone: Revue internationale de langue et de littérature: Vol. 66
, Article 7.
Available at: https://crossworks.holycross.edu/pf/vol66/iss1/7